When Picasso first juxtaposed various perspectives of the woman’s face onto a single canvas, people accused him for ruining the beauty of the model; when Pollock dripped the house paint spontaneously, people frowned in searching for figurative representations; when Miro doodles the shapes and lines, people responded to the faces and eager to decoding the rest “symbols”; when Kandinsky smudged paints into compositions, people started to read the colors as emotions. The evoluti